CRITICAL VOID – with Z'EV at Bandcamp
Revisiting the audio of the CRITICAL VOID performance, I decided to make the 20 minute live recording available at Bandcamp. The streaming app, liner notes, and select photos taken by Andi Graf will follow in this post.
Critical Void is an analytical audio work based on an urbanist study of
the MaximiliansForum in Munich and its planning history. By employing
interviews with key individuals and document research, Mark Kammerbauer
and Z‘EV developed a site-specific audio performance that was performed
live on site on 24.07.2013. The project was curated by the Kulturreferat
of the City of Munich. The location that includes the MaximiliansForum
art space can be found beneath the crossing of Maximilianstrasse and
Altstadtring in Munich. It has escalators that are currently in disuse.
It is denominated officially as pedestrian tunnel. It is by far the
largest of its kind in the city. Architect Peter Haimerl created a new
partition system to contour separate art spaces. Rumor has that original
planning intended a traffic tunnel. So, what happened here?
On Wednesday, 24.07.2013 at 19:00 we performed CRITICAL VOID live after a
very friendly introduction by Elisabeth Hartung of the Culture Office
of the City of Munich. The first half of the performance included a
dramatized conversation between Alexandra von Bolz'n and MK on the
results of the study with audio ambience by Z'EV. A tunnel was supposed
to be built but conflicts emerged with regulations as well as public
interest. Postwar traffic planning
had resulted in a broad intersection in what had previously been an
enclosed urban plaza (the original “Forum” above ground). In addition,
urban revitalization aims led to affordable housing problems in the
adjacent quarter (“Lehel”). One result was the creation of the “Münchner
Forum” where citizens became involved in urban planning in the city.
As result of these events, planning was confronted with crisis, and
planning aims were discontinued, resulting in the ambiguous character of
the open space beneath the street crossing. After dramatizing these
aspects in the first half of the performance as a narrative
“conversation”, the second half of the performance featured a
performance of the crisis. This music piece is titled “MythEater” as
inspired by Z'EV and includes an interpretation of “Yuki’s Song” from
Akira Kurosawa’s film “Hidden Fortress” by vocalist Alexandra von
Bolz'n. It is intended to symbolize the conflict between tradition and
modernism as root of the crisis that gave birth to this CRITICAL VOID
within the urban fabric of the city of Munich.
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