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CRITICAL VOID Maximiliansforum Z'EV + Fragment King

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Critical Void is an analytical audio work based on an urbanist study of the MaximiliansForum in Munich and its planning history. By employing interviews with key individuals and document research, Z‘EV, Alexandra von Bolz'n and Mark Kammerbauer developed a site-specific audio performance and work that was performed live on site on 24.07.2013. The project was curated by the Kulturreferat of the City of Munich. This is a step-by-step documentation of the project. The location that includes the MaximiliansForum art space can be found beneath the crossing of Maximilianstrasse and Altstadtring in Munich. It has escalators that are currently in disuse. It is denominated officially as pedestrian tunnel. It is by far the largest of its kind in the city. Rumor has that original planning intended a traffic tunnel. So, what happened here? On Wednesday, 24.07.2013 at 19:00 we performed CRITICAL VOID live after a very friendly introduction by Elisabeth Hartung of the Culture Offi
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LIVE AT A2 20TH ANNIVERSARY

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It seems completely nonsensical, but it's the 20th anniversary of Fragment King Live At A2 ..." Recorded live on location at A2, Munich, 2004. Preceded by a lecture by Architect Peter Haimerl during an event curated by Elisabeth Hartung, the set utilized sounds recorded during a Nexialist Operation in the Mimesis artist studio designed and built by Peter Haimerl. Mastered by Mark Kammerbauer at White Furnace Lodge."   Live At A2 von Fragment King
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FRAGMENT KING 25TH ANNIVERSARY

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On the occasion of the the 25th anniversary of Fragment King, Nexialist is releasing three special compilations spanning recordings created and released between 1997 and 2014. In 1997, Fragment King recorded the "Demo That Exploded" and the adventure in speculative audible environments began. Above Us (FK 25th Anniversary Edition) features recordings written and produced during 2007 and 2010 within the Angel Position sessions in Weimar and Berlin. Furnace Lodge (FK 25th Anniversary Edition) includes tracks created during 2002 and 2007 predominantly within the Pathomechanical, Anatomic Music and Grey Album sessions in Ridgewood/USA, Weimar/Germany and Berlin/Germany. These three sessions strongly characterize the material produced in their context, by including guitar/ bass guitar/ vocals and effect treatment, the "digiscrub"-method of digitally deconstructing session material, and the coherent "studio"-approach to the various audio recording formats and
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