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Showing posts from October, 2024

Lost Angeles: Slayer's Hell Urbanism

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Sometimes I write about music and how it influences architecture and the city – and vice versa. Here is a text about interrelations between music and cities from an urbanistic viewpoint, with Los Angeles and Slayer as examples.  Lost Angeles: Slayer's Hell Urbanism Author: Mark Kammerbauer Publication details: unpublished manuscript, 2024 1. Introduction: The city as mirage of counter-culture The music, lyrics and visuals created by bands can be indicative of the urban life their members experience. Their work can be seen as a form of dialogue between the music cultures they participate in and the urban spaces they inhabit. This dialogue establishes an interrelation between the musician's city of reality and the music's city of imagination. Perceived this way, music becomes a medium of alternative visions of the city or audible utopias and dystopias. The question this perception raises is: What kind of imaginary city do musicians envision and what does it tell us about the

One photo, one song

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Simple Things Are Often Monstrous by Fragment King

One photo, one song

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One photo, one song

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Halforganic Theory (FK 25th Anniversary Edition) von Fragment King

One photo, one song

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One photo, one song. Artwork by the Nexialist Organization. This has to be the most pure music I ever created. In 2002 I recorded completely abstract sounds and arranged them into 16 tracks, all of which are featured on the Torso release. I revisited the album this past weekend and found it extremely liberating. Perhaps you will agree. Perhaps not.   Generating Space von Torso

One photo, one song

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Live At SI by Fragment King

One photo, one song

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Halforganic von Uncreated

One photo, one song

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Halforganic by Uncreated

One photo, one song

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The Cellmaker's Sinister Jazz by Fragment King

One photo, one song

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Halforganic Theory (FK 25th Anniversary Edition) by Fragment King

One photo, one song

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Halforganic by Fragment King