Tales of the Nexialist Organization

Nexicon was an extension of the Nexialist Organization ethos, conceived as a transdisciplinary platform connecting architecture, music, and visual design through shared creative methods and theoretical inquiry.  A collaboration between the Nexialist Organization and Annihilvs, Nexicon merged improvised digital sound and live performance into a raw experiment in real-time composition and technological deconstruction. Nexicon consisted of Mark Kammerbauer, Lee Bartow, and Tim Spann. The project represented a digital tour-de-force of improvisational sound — non-linear, non-semantic, and uncompromising. The trio sought truly spontaneous uses of digital tools, often pushing their equipment to destruction. This is what free jazz might eventually sound like in fifty years. Simple Things Are Often Monstrous von Nexicon   The recordings of Nexicon range from introspective and mysterious to violent and explosive. Initially intended as a one-off live appearance at Pyramid in New...

The Nexialist Organization, founded in 2000, was intended as a transdisciplinary platform connecting architecture, music, and visual design through shared creative methods and theoretical inquiry. One of its key projects of the early years was Torso. I recorded and produced material extensively for this project. This blogpost deals with one set of recordings in particular: An experimental study in sonic architecture, Generating Space transformed digitally processed sound into an exploration of imaginary spatial perception. Generating Space is an experimental audio–spatial study in which generated and processed sonic environments serve as perceptive catalysts for the creation of imaginary architectural spaces. The process reverses conventional creation: imagined structures become the origin of the sounds, forming the tectonic substrate that defines the audible phenomena. The compositions employ a minimal, industrial, and digital ambient aesthetic — clicks, noise, an...

While predating the founding of the Nexialist Organization, Fragment King represents its concept as a transdisciplinary platform connecting architecture, music, and visual design through shared creative methods and theoretical inquiry.  Fragment King is the musical persona of Mark Kammerbauer — a synthesis of human and mechanical sound, lyrical defiance, and conceptual critique developed through decades of evolving production and performance.   Fragment King is a fictitious persona created by Mark Kammerbauer for music production and live performance. FK’s work can be understood through three interwoven aspects: roots, methods, and aims. The roots trace back to the 1980s, influenced by early hip-hop, metal, and industrial pioneers such as Public Enemy, Big Black, and Godflesh. Their hybrid sound — a fusion of electronic and conventional instruments — reflected both the political dimension of noise and the cultural anxiety surrounding technology’s dehumanizing impact. Ic...

While it predates the founding of the Nexialist Organization, the Xenakis Emulator encapsulates its core intention as a transdisciplinary platform connecting architecture, music, and visual design through shared creative methods and theoretical inquiry.  An audiovisual homage to architect–composer Iannis Xenakis, the Xenakis Emulator recreated the structural logic of his composition Metastaseis and Le Corbusier’s monastery facade La Tourette through synchronized digital sound and animation. The Xenakis Emulator is a digital reinterpretation of these two key works. The project transformed the mathematical and musical relationships underlying both works into a synchronized audiovisual experience. In the 1950s, Xenakis collaborated with Le Corbusier on La Tourette, developing the rhythmic spacing of the vertical facade elements. These intervals mirrored the glissandi patterns of Metastaseis, composed at the same time. The Nexialist project translated this relationship into sound ...

Before the Nexialist Agency, there was the Nexialist Organization, a platform for my media projects. It all began 25 years ago ... The Nexialist Organization was conceived as a transdisciplinary platform connecting architecture, music, and visual design through shared creative methods and theoretical inquiry.    Astronaut logo created by Liis Roden In the clandestine war on silence, there are no answers. Not only communication but culture itself begins to break down. When there are no answers, the manifestation of the future becomes vulnerable to sabotage from external forces. We become imprisoned within an endless nightmare of the present — frozen to standstill. In this sense, the only logical step is for the questions to become the answers — an act of self-recognition comparable to the turning of the mask as described by Vilém Flusser. Nexialist was founded to create a platform for creative enterprises located between tangible architecture and audible music, with visual text...

Fragment King recorded and mixed ANGEL POSITION between 2007 and 2012. Bazooka mastered the recordings in 2012 for the 2014 original album release on MHz. In 2022 the album was released in a Fragment King 25th Anniversary Special Edition with completely new artwork and packaging created by Liis Roden. Both releases garnered reviews that are collected in the following. They include praise and are not without surprises. Vito Camarretta,  CHAIN D.L.K.: "It's the first time I personally listened to a full-length by Fragment King, the harsh brainchild by Mark Kammerbauer, out of his personal imprint Nexialist, and even if some features of his style, which combines ferociously hammered breakcore patterns with armour-piercing dark-industrial sonorities and some listenable sludge-metal and power electronics marks as well as sensibly vitriolic lyrics, is somehow recognasible, the sonic architecture sounds less naff than some past releases. Both its musical language and lyrics are defin...

In 2021 the Fragment King recording titled RETREAT was released by Annihilvs Power Electronix, the label of Theologian mastermind Lee Bartow. It comprises multiple tracks in tape cassette format plus additional digital exclusive remixes by Snowbeasts and 2W (Thierry Arnal). What did reviewers have to say about RETREAT?   Sean Reveron, CVLT NATION: "Unholy hell yes this is some dubbed out dirge that will make hairs on your neck stand up! I can’t get enough of the FRAGMENT KING project because it’s that RAD!" Roland Torres, SILENCE AND SOUND: "All in tense minimalism, FRAGMENT KING alias Mark Kammerbauer floods the space of guitar notes crawling on porous surfaces, impregnated with industrial engines. RETREAT is not without evoking the universe of Godflesh in delightful mode, flagging on piles of pointillist notes supported by spectral rhythms with mechanical consistency. FRAGMENT KING develops an underground world with abstract hallucinations, bending under the weight o...

Since I wear a cap with the Nexialist Octomeron and people asked me what it is about, it's my turn here to elaborate. The Nexialist Octomeron is a geometrical shape with eight corners. It was developed as a graphic symbol in the course of the ANGEL POSITION album project. Its origin is a photo of a building in the Dutch city of Almere. The moment I saw the Woontoren Silverline residential tower by Claus en Kaan Architecten in 2006, I knew it would be relevant to me at some point in the future. In 2007 I began writing and recording songs for what later became the ANGEL POSITION album produced for my music alias, Fragment King. The planned CD release of the album with MHz Records required illustrations, and one particular inspiration was soon found in the BLEACH anime. In one episode, Gin Ichimaru releases his Zanpakutō and, in follow his Bankai form, Kamishini no Yari. It cuts through the surrounding city with such force that the severed parts are lifted from the structures that su...

Revisiting the audio of the CRITICAL VOID performance, I decided to make the 20 minute live recording available at Bandcamp. The streaming app,  liner notes, and select photos taken by Andi Graf will follow in this post.  CRITICAL VOID von Z'EV, Fragment King (M. Kammerbauer), Alexandra von Bolz'n Critical Void is an analytical audio work based on an urbanist study of the MaximiliansForum in Munich and its planning history. By employing interviews with key individuals and document research, Mark Kammerbauer and Z‘EV developed a site-specific audio performance that was performed live on site on 24.07.2013. The project was curated by the Kulturreferat of the City of Munich. The location that includes the MaximiliansForum art space can be found beneath the crossing of Maximilianstrasse and Altstadtring in Munich. It has escalators that are currently in disuse. It is denominated officially as pedestrian tunnel. It is by far the largest of its kind in t...